Ku‘u Pua i Kohelepelepe

Ku‘u Pua i Kohelepelepe

Site: 7

Koko Crater Botanical Garden

Phase 2: Now Open

Photographic Installation

Title

Ku‘u Pua i Kohelepelepe

(2025)

Artist(s)

Ualani Davis

Collaborators

Ka‘imina‘auao Kahikina

Site: 7

Koko Crater Botanical Garden

Phase 2: Now Open

Photographic Installation

Title

Ku‘u Pua i Kohelepelepe

(2025)

Artist(s)

Ualani Davis

Collaborators

Ka‘imina‘auao Kahikina

Ku‘u Pua i Kohelepelepe

(2025)

This series of cyanotypes inspired by “Ku‘u Pua i Paoakalani,” a song by Queen Lili‘uokalani referencing Paoakalani, her personal garden, and Uluhaimalama, a kū‘oko‘a (independence) garden planted for the people after the overthrow of the Hawaiian Kingdom. Documenting plants significant to these gardens (koa and kukui) and to Maunalua (‘ihi‘ihilauākea), Ualani reimagines the botanical garden as a garden of resistance. The installation casts shifting blue shadows of the images commemorating three historic days of Hawaiian resistance and celebration.

 

niho or down

The Moʻolelo of Kohelepelepe

Ka‘imina‘auao Kahikina

To tell the story of Ualani Davis’s Kuʻu Pua i Kohelepelepe, we must first ground it in Place. Kohelepelepe is located in Maunalua in the ahupuaʻa of Waimānalo. Maunalua is a wahi pana that once held pristine fishponds guarded by the moʻo (freshwater guardian) named Laukupu. Nestled within this landscape and rising prominently above the town of Maunalua is Kohelepelepe or Kohelele (the vaginal labia or the flying vagina). At the base of this crater is a quaint botanical garden, which houses plants from around the world. Ualani’s pieces are situated here in the embrace of native and non-native flora and fauna.

The moʻolelo of Kohelele or Kohelepelepe is a story of consent and resistance, one that teaches us traditional modes of understanding regarding the complexities of domestic violence and the intricacies of familial bonds. Martha Beckwith, informed by Mary Kawena Pukui, writes that Kapōʻulakīnaʻu, also known as Kapōmaʻilele, the sister of Pelehonuamea, saves Pele from a violent attack on her person by Kamapuaʻa. Kamapuaʻa and Pele are known to have a tumultuous relationship, both as lovers and enemies.

According to this moʻolelo, the pig deity Kamapuaʻa forces himself onto Pele near Kalapana on the island of Hawaiʻi. This violent attack catches the attention of Kapōʻulakīnaʻu, a powerful matron god of hula and sorcery. Thus, her senses would have been attuned to the cries of help from her sister, who, in her own right, commands the fires of Kīlauea.

The Moʻolelo of Kohelepelepe

Read the full research document by Ka‘imina‘auao Kahikina

DOWNLOAD
niho or down
Image of Artist Ualani Davis

Ualani Davis

Ualani Davis is a Native Hawaiian artist and art educator from Honolulu, Hawaiʻi who often works with photography and mixed-media to investigate facets of identity, ancestry, and culture.   As an indigenous artist, she is especially fascinated by photography’s historical influence on the creation and spread of indigenous identity amongst the rest of the world. Ualani uses her artistic practice as a way to visually explore and express her experience as a Native Hawaiian, contemporary artist, teacher, daughter, and woman.

Ualani received a BFA from the University of Hawaiʻi at Manoa and a MA in Art Education from Boston University.  She currently teaches high school photography at Kamehameha Schools Kapālama in the Visual Arts Department.

Photos: Lila Lee

Koko Crater Botanical Garden